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WEEK IN REVIEW
Tuesday
Lynnwood police seek hit-and-run driver
Laundry fire sparks concerns over smoke detectors
Early morning gunfire wounds 2 in Everett
Monday


Economy may silence Everett Symphony's season
Inmates with mental illness bring extra costs t...
Help with heating bills late to arrive this year
Sunday


Nurse seeks help healing hidden wounds of wars
Count drags on long after the election's over
Groups work to help those in uniform
Saturday


Nearly 30 kids adopted during annual event in S...
Gold Bar couple admit animal cruelty in puppy m...
Arlington area man's arrest in alleged burglar'...
Friday


Nearly 2,000 turn out for Stevens Pass opening day
Victim of alleged burglary now a suspect in kil...
Shelter asks for diaper donations during holida...
Thursday


Safety long a concern for road involved in fata...
State budget's $2 billion hole will require dee...
County considers building for disaster response...
Wednesday


Jury will decide accident or murder in girl's s...
Marysville rejects idea of a much later start f...
Flu’s full force shocks an Edmonds man an...
 

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CONTACT THE HERALD
Melanie Munk, Features Editor
munk@heraldnet.com
 
Published: Friday, November 13, 2009

New on DVD/Nov. 17

“Is Anybody There?”

As Edward in this sweet if not terribly innovative film, Bill Milner plays a boy who lives in a rambling retirement home in England where death is an inevitable occurrence.

Enter Michael Caine as Clarence, a former magician who is getting a little dotty. Clarence sets out to divert Edward’s attention from the morbid side of life, and the two eventually forge a brief friendship.

Rated: PG-13 for language, including sexual references, and disturbing images

“The Limits of Control”

Jim Jarmusch’s latest meditation on male soloism has no emotion, no compelling characters, no unity of effect and, consequently, no good reason to be seen. It does have great actors slumming as vague philosophical notions: Bill Murray, Tilda Swinton, John Hurt and Gael Garcia Bernal pass in front of Jarmusch’s camera and say weird things.

Jarmusch has taken the idea of a caper, drained it of plot, action and suspense, and set it against an absurdist background, where every symbol, person and incident should convey meaning but doesn’t.

Rated: PG-13 for violence and brief sexual and drug references

“My Sister’s Keeper”

Anna (Abigail Breslin) is an 11-year-old conceived by her parents (Cameron Diaz and Jason Patric) to harvest umbilical-cord blood, bone marrow and various organs for their daughter Kate (Sofia Vassilieva), who has leukemia.

Anna has hired an attorney (Alec Baldwin), demanding to be “medically emancipated” from her parents: She doesn’t want to donate the kidney she was bred to give up.

Then the focus turns to Kate’s story, when she meets a fellow patient and falls in love.

Rated: PG-13 for mature themes, disturbing images, sensuality, profanity and brief teen drinking

“Star Trek”

“Star Trek” is an origin story that, unlike such recent downers featuring the Incredible Hulk and Wolverine, pays affectionate respect to its source material but never falls into the trap of slavish worship.

Zachary Quinto plays Spock with surprising pathos, and a clever setup pits him against James T. Kirk (Chris Pine), giving the film its fraternal rivalry.

Director J.J. Abrams proves to be an able steward of this narrative and these characters.

Rated: PG-13 for sci-fi action and violence, and brief sexual content

Also

Downhill Racer: Criterion Collection,” “The Exiles,” “Farscape: The Complete Series,” “Gone With the Wind: 70th Anniversary Ultimate Collector’s Edition,” “How to Be,” “Michael Jackson: The Interviews, Vols. 1 and 2” and “Rome: The Complete Series.”

The Washington Post

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