by Steven Moore
2 volumes. 1711 pgs. 2010 and 2013.
Steven Moore’s two-volume labor of love, The Novel: an Alternative History, is an astonishing and thorough exploration that goes back some 4,000 years. Moore defines the novel quite broadly and presents evidence that authors have been experimenting with it since its beginning, not just in the modern/postmodern era. Despite recent innovations, Moore believes that novelists in our time who attempt to step outside predominant mainstream practices are unjustly vilified by conservative critics – a reaction not nearly so prevalent for innovators in any of the other arts.
Moore includes titles many readers will recognize – Gilgamesh, The Golden Ass, Satyricon, Don Quixote, Tristram Shandy, the Decameron – but his worldwide focus brings to light many titles Westerners are likely to be completely unaware of. It’s interesting, for example, to see that quite a bit of fiction was written in Sanskrit in the first millennium, and that the Japanese novel in the 10th and 11th centuries was immensely popular. Irish fiction (8th C) and Icelandic sagas (13th) appear in Moore’s index before any fiction written in English (Le Morte d'Arthur in 1469). Readers may be surprised at the number of women authors active in earlier times, especially given present-day concerns that women writers are often neglected in terms of review coverage and critical assessment (see here, for example).
I won’t pretend to have read even half of the two volumes’ seventeen-hundred pages, but Moore’s lively, often humorous, and always informative writing has prompted me to read at length in sections I hadn’t really expected to explore. My approach has been to scan the chronological index of titles discussed, and then jump to the text after finding such curious and irresistible titles as The Egg, Lugubrious Nights, and The Victim of Magical Delusion. Most of the titles in Moore’s book are in too little demand to be in the Everett Public Library’s relatively small collection (but you can submit requests for purchase, or ask for an interlibrary loan). We do, however, own some of these historic works, so I’ll share just a few, along with brief descriptions derived from Moore’s text (including a few of his quotes) to whet your appetite:
The Life of an Amorous Woman
by Ihara Saikaku (1686, Japanese)
A “lively if sordid tale” that looks at the life of a woman who, when still a young girl, gives in to her sensual yearnings thus embarking on “a downward spiral into degradation.” As an old woman, after having had sex with maybe 10,000 men, it appears she has renounced her wanton ways and has devoted herself to the Buddha – until the reader reflects back to the framing device at the beginning of the book.
by Aphra Behn (1688, English)
Behn’s most famous novella features “one of the earliest examples of a conflicted narrator,” and includes such subjects as forced marriage, slavery, and colonialism. But principally, it delivers a sharp attack on religion for its failure to live up to its own ideals of nobility and justice. Moore calls Oroonoko a heroic romance at heart, but with graphic violence, and notes that it also employs the “noble savage” character type which would later be of interest to Voltaire and Rousseau.
by Frances Burney (1778, English)
This novel was wildly popular at the time it was written. Its focus is a provincial young woman who goes to London for the first time, and the frequently humiliating, hilarious, and ridiculous situations she gets herself into. The book also looks at the dark side of courtship and marriage and portrays, well, just “how badly it sucked to be a woman in 18th-century England.”
But don’t settle for my boiled down accounts of these books, go to The Novel for Moore’s expanded, insightful appraisal and ebullient colloquial style – his infectious commentary will convince you that many of the books under discussion are ones you will want to check out. Moore's history opens the doors to an expansive world of little-known fiction that awaits your exploration; let us know the titles you want to read and we will do what we can to get them into your hands.
I'll close with a passage, pulled almost at random, characteristic of the kind of thing you can expect to find in The Novel. Here's Moore talking about the Persian Adventures of Amir Hamza:
But the story doesn’t end there. A decade after the popular Lakhnavi/Bilgrami edition appeared, a publisher named Naval Kishar decided to bring out a complete unabridged version of the 800-years-in-the-making communal novel. He had the best Hamza storytellers (a class known for their use of performance-enhancing opium) come to his printing house and recite the portions they specialized in to scribes, and the result is the longest novel in world literature: his Urdu Dastan-e Amir Hamzah was published between 1883 and 1917 in 46 volumes averaging 900 pages each – in other words, a novel more than 41,000 pages long!Fans of the novel owe it to themselves to poke around in The Novel.
For more on Steven Moore, see this interview in Music & Literature.
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