The Herald of Everett, Washington
Customer service  |  Subscribe   |   Log in or sign up   |   Advertising information   |   Contact us
HeraldNet on Facebook HeraldNet on Twitter HeraldNet RSS feeds HeraldNet Pinterest HeraldNet Google Plus The Daily Herald on Linked In HeraldNet Youtube
HeraldNet Newsletters  Newsletters: Sign up  Green editions icon Green editions

‘Leftovers’ explores a quiet apocalypse

  • Amy Brenneman ponders life as one of “The Leftovers.”

    HBO

    Amy Brenneman ponders life as one of “The Leftovers.”

SHARE: facebook Twitter icon Pinterest icon Linkedin icon Google+ icon Email icon |  PRINTER-FRIENDLY
By Frazier Moore
Associated Press
Published:
  • Amy Brenneman ponders life as one of “The Leftovers.”

    HBO

    Amy Brenneman ponders life as one of “The Leftovers.”

Not long ago, 2 percent of the world’s population vanished. Quietly, instantly, with no provocation.
This unfathomable loss continues to haunt all those left behind, including residents of the small New York town that serves as the setting for “The Leftovers,” HBO’s eerie new drama premiering at 10 p.m. Sunday.
The 10-episode series brushes over the seminal event, picking up the story as the third anniversary of the Sudden Departure nears. It finds the locals (played by a cast that includes Justin Theroux, Amy Brenneman, Chris Eccleston, Carrie Coon, Liv Tyler and Michael Gaston) mired in grief, bewilderment and discord.
“They have to find a way to come together, but some people are going to be able to achieve that — and others aren’t,” says Damon Lindelof.
“The Leftovers” was co-created by Lindelof (of ABC’s “Lost”) and Tom Perrotta (who wrote the novel that inspired it). Earlier this week they joined an Associated Press reporter to discuss their new project.
Perrotta: “It’s a different kind of apocalyptic story, because the physical world remains intact. It deals with the psychological adjustment to trauma. It follows what people make of this mysterious, traumatic event, which doesn’t fit into either a scientific or religious framework.”
Lindelof: “Some people just try to go back to the way things were before this thing happened. Other people say, ‘This was a sign. I can’t continue to operate the same way, now that this cosmic event has occurred.’ The opportunity we had was to write a show with characters who, in wildly different ways, were trying to get on with their lives. This allows us to execute a genre show that doesn’t feel like a genre show: The only piece of genre happened three years ago, leaving all the characters now to filter their world through the very strange prism it created.”
Perrotta: “After all, how long can they discuss this thing that has no answers? No one has anything new to add to the conversation. In fact, the Guilty Remnants” — a nihilistic cult that wears spectral white, chain-smokes and never speaks — “has adopted a vow of silence in part because they feel there’s nothing to say.”
Lindelof: “This is not a meditation on grief, per se. But everybody on the show is suffering some kind of post-traumatic stress. Even if they’re pretending not to still be affected, there’s now a part of them where, if the friend you were just talking to has stepped around the corner out of sight, you’re programmed to go, ‘Oh, my God, it’s just happened again!”’
Here in Mapleton, and around the world, the “leftovers” are dogged by the same awful unknowns about those who disappeared: What happened to them on that Oct. 14 upheaval? Where have they gone? And why them? What underlying common denominator could possibly link a local infant named Sam with Shaquille O’Neal and Gary Busey among the millions plucked from sight as if at random?
Story tags » Television

More Entertainment Headlines

NEWSLETTER

Weekend to-do list

Our to-do list full of ideas for your weekend

Calendar