“They keep telling people it’s the 10th anniversary. But it’s the fourth season, as far as I’m concerned,” says Howard Stern, who joined “America’s Got Talent” as a judge in 2012.
That’s what you’d expect Howard to say.
But quickly he adds that with “AGT” launching what everyone but Stern would consider its 10th season (Tuesday at 8 p.m. on NBC), he’s having a ball with fellow judges Howie Mandel, Heidi Klum and Mel B.
“I may be the most important judge in the history of the world, but secretly I’ll tell you, I’m glad they’re there,” he confides during a recent interview.
Everyone remembers the uproar when Stern was brought aboard this family-friendly talent competition: Wasn’t he a legendary “shock jock,” a bad-boy superstar on SiriusXM Radio who would say anything to get a reaction?
Maybe, but Stern, now 61, thought he would make an ideal judge, that his long show-biz career (wasn’t he the King of All Media?) would serve him well in evaluating each act. More to the point: He was already a big “AGT” fan.
“It helps when it isn’t just a paycheck for a judge, when they were a fan of the show even before they were getting paid to be on it,” says Jason Raff, an executive producer of “AGT” since its premiere in June 2006.
“It’s a hard show to judge,” he says, noting its lack of any rules — any type of act with any number of performers of any age is welcome.
Like Stern, Mandel was an “AGT” devotee before he joined the judges’ panel in 2010.
“I watched every episode for the four years before that,” Mandel says. “Whatever you see me saying and doing is what I was doing from the couch in my living room, in my underpants, before. Now I have the best seat in the house.”
And though he has to wear pants, “the show provides them,” he says with a laugh.
If the judges are having a good time, host Nick Cannon is having a blast.
“I figure I’m the guy who’s having the most fun,” says Cannon, the “AGT” ringmaster since 2009. “It’s the best summer job ever, even though there’s a lot of responsibility.”
Responsibility like overseeing four opinionated, outspoken judges, plus an anything-can-happen string of acts — all of which, later in the season, takes place onstage at New York’s Radio City Music Hall.
“It looks like it’s all in my hands, but the producers and the crew do such a great job,” says Cannon. “There are seven people in my ear screaming while I’m having a good time, reacting to each moment to keep the show going.”
But it isn’t all fun and games, even for the judges: careers are in their hands, and they know it.
“I thought I would do one season, then, ‘The joke’s over, I did it, Howard Stern on a family-friendly show, ha-ha-ha.’ But I ended up enjoying it and, I swear to you, I take my role on it so seriously!”
He thinks that’s evident to viewers.
“After the first year, people decided, ‘Well, the guy’s thoughtful, he’s constructive. He wasn’t sitting there beating people over the head with a stick.’ You might think that Satan has no feelings, but it turns out Satan’s very, very sensitive: I have the thinnest skin ever. If someone criticizes me, I totally fall apart. So I keep that in mind on the show.”
Meanwhile, he figures he has proven to everyone, including himself, that he can be a team player.
“That was a big ego adjustment for me. I’m so narcissistic that I think my opinion is the only thing that counts, and I really had to put that in check. Sometimes it’s difficult to sit there while Heidi, Mel and Howie do their thing. But that’s the beauty of it. And I particularly like when we argue about talent. I think that’s so interesting.”
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