Streep-led cast goes through motions in ‘August’

Tracy Letts won the Pulitzer Prize for his play “August: Osage County,” and he has written the screenplay for the film of that title.

If you seek a useful yardstick for the distance between stage and screen, this movie provides one: Here is a writer adapting his own work for the movies, and there is almost no evidence of how this display of canned yammering could possibly have won a high literary honor.

Admittedly, if you imagine everything playing out on one set, with the play’s overlapping dramatic arcs and crafted one-liners creating an actors’ showcase, the thing could work as a dramatic night in the theater.

But open all that up to the outdoors, dissipate the pressure-cooker structure with lapses in time and let director John Wells add a sentimental spirit to the proceedings, and you’ve got one middling movie.

Osage County is in Oklahoma, where the lemony matriarch of the Weston family, Violet (Meryl Streep), has gathered the clan in the aftermath of tragedy.

She has three daughters, and while she treats sensible Ivy (Julianne Nicholson) and silly Karen (Juliette Lewis) badly enough, she saves her special venom for her favorite, Barbara (Julia Roberts). Barbara’s marriage to an academic (Ewan McGregor) is unraveling, so she’s in the mood for a tussle, and we’re going to get one.

The cast is heavy with good folk, including Margo Martindale as Violet’s overshadowed sister (Chris Cooper plays her easy-livin’ husband), and an uncharacteristically tongue-tied Benedict Cumberbatch.

All those family tensions take time to sort out, but it really comes down to Barbara standing up to her mother, and to Streep and Roberts playing with the material like prizefighters.

And while Streep is the savvy, surgical Muhammad Ali to Roberts’ blunt-punching Joe Frazier in that match, there’s a sense that even Dame Meryl is coasting on technique here. The gotcha dialogue is just a little too easy, and Wells (who directed the dreary “Company Men” in 2010) encourages everybody to bop their lines right on the nose.

This big serving of ham and eggs wants to be taken seriously. The Weinstein company’s ad campaign, which emphasizes the family-bitchfest angle, suggests they know otherwise. It can be enjoyed on that level, but if you think too hard about what a Pulitzer is, your head will hurt.

“August: Osage County” (two stars)

A family reunion, based on the Pulitzer Prize-winning play by Tracy Letts. This one’s pretty much a yelling match, with Meryl Streep’s lemony matriarch laying waste to her relatives, and oldest daughter Julia Roberts standing her ground. Good cast — Ewan McGregor and Benedict Cumberbatch are in there too — and if it strikes sparks as an actors’ showcase, it’s hard to take seriously any other way.

Rated: R for language, subject matter.

Showing: Alderwood Mall, Everett Stadium, Guild 45th, Pacific Place, Thornton Place, Woodinville.

More in Life

Marysville theater stages Noel Coward’s timeless ‘Blithe Spirit’

The cast and crew at the Red Curtain Arts Center do a fine job with the 1940s British play.

Stringed instruments get workout at Cascade Symphony concert

Tchaikovsky’s “Serenade for Strings” is the orchestra’s first concert of the season.

Animating Van Gogh paintings proves to be trippy yet flawed

“Loving Vincent” relates the circumstances of the great painter’s death.

Confusing, muddled thriller confounds talented director, cast

“The Snowman,” based on a Scandinavian crime novel, suffers from catastrophic storytelling problems.

‘Breathe’ ignores all the inspirational movie cliches

It tells the story of a polio patient and his wife who helped change attitudes about the disabled.

New Edmonds bakery showcases owner’s mastery of pastry

Desserts are the highlight at Ganache Patisserie and Cafe on Main Street near the theater.

What you’ll see Thursday night on Everett, Edmonds art walks

Third Thursday evenings in Everett and Edmonds offer chances for interesting strolls.… Continue reading

Fur & Feathers: 4 lovable dogs need homes

Meet Lola, Sadie, Scooter and Chance

British Film Institute strips Harvey Weinstein of highest honor

He was awarded a BFI Fellowship in 2002 for his contribution to British cinema.

Most Read