If you’re going to see one opera this year, hurry and catch Seattle Opera’s “The Barber of Seville.” This is a timeless comedy with soaring, gorgeous music played for laughs and with music that can’t help but inspire. Rossini’s “Barber” is the perfect opera for someone who doesn’t like or is new to
the classic form. The action moves along, the story line is easy to follow, and even people who believe they don’t know a single opera melody likely will recognize some of the arias or the classic overture. (Yes, the one from the Bugs Bunny cartoon.)
The opening night performance on Saturday also proved that the company hired first-class singers with spectacular voices who make easy work of the roller-coaster arias. Argentinian Jose Carbo made his American debut as Figaro, filling the role with great control of his voice and delightful comic acting. Patrick Carfizzi is a hilarious Dr. Bartolo. Sarah Coburn’s beautiful soprano voice would melt any suitor’s heart. Clearly the highlight of the cast, though, is tenor Lawrence Brownlee, as Count Almaviva. The cast will change on various night’s as the opera shuffles through its gold and silver casts.
The centerpiece of the opera’s set is a three-decade old revolving piece that adds to the action and comedy. It’s a bit worn but the music, acting and fabulous costumes make up for the slightly stale set. I loved the lighting (especially some treats at the end) and there’s a surprise at the end that reminds the audience this opera is set in the south of Spain.
There are eight more performances with lots of seats still available including a matinee today. You can read The Herald’s preview of the opera here.
Let us know if you attend and what you think.
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