Book (and comic) series worth diving into at Everett library

Themes of otherness, power, and cruelty permeate this librarian’s current winter reading.

Sabaa Tahir’s “An Ember in the Ashes” is loosely based on the Roman Empire and has themes of conquest, oppression, power, cruelty and otherness.

Sabaa Tahir’s “An Ember in the Ashes” is loosely based on the Roman Empire and has themes of conquest, oppression, power, cruelty and otherness.

By Jesse, Everett Public Library staff

This winter will be my fifth in Washington, which I am pretty sure makes me an expert by Malcom Gladwell’s standards. But I don’t think I am breaking any news when I say that winter in the PNW is long, grey, and wet. It’s not my favorite weather but it makes for a great excuse to do some of my favorite reading: multi-book series.

I have a method when I jump into these series: Start too early and I can’t deal with the wait between books. Suddenly I have the patience of a two-year-old, without the charm or the excuse of actually being two. But if I wait too long I feel woefully behind the times AND I miss out on the sweet agony that comes with waiting for the final book or two in a series. If I start reading when the series is 2 to 3 books deep, I am golden. I find that this is when a lot of series really start to open up; the world-building has gotten some attention, characters gain complexity, and that one guy who got on your nerves has probably been killed off.

Do you agree? Want to prove that I’m terribly mistaken? Here are a couple of great series that are right at my sweet spot:

Sabaa Tahir’s An Ember in the Ashes would have hooked me as a well written YA fantasy series. But throw in the fact that it is loosely based on the Roman Empire? I never had a chance. The Martial Empire is the only clear power in this world. Like the Romans, the Martials wield great power through overwhelming force and ruthless cruelty. Their most fearsome tool is their squad of elite soldiers, the Masks, who possess near-superhuman strength and cunning and execute the will of the Emperor with dispassionate and merciless efficiency. The greatest victim of the Empire’s excesses and greed are the Scholars, once a flourishing tribe that has been largely reduced to an oppressed lower class. Those who have not been slaughtered or enslaved exist in the margins, living in relative squalor and clinging to their traditions the best they can.

An Ember in the Ashes follows Laia, a young woman who finds herself working for Scholar resistance, and Elias, a Mask determined to flee the Martials and reject the dehumanizing and unjust duties that await him as an agent of the Empire. They find themselves thrust together, two players in a dark and dastardly plot that threatens the Martial Empire, the remaining Scholars, and quite possibly the order of the entire known world.

Needless to say there is a ton of great historical fantasy out there. What sets this series apart is the skill with which Tahir patiently develops her world. It is masterfully crafted, with fantasy elements that slowly expand over time and unexpected plot developments that upend genre conventions. There are currently two books published in this series with a third due out in spring of 2018. Considering that the second, A Torch Against the Night, was even better than the first, I’m dying to get my hands on the next book.

The Darktown series, by Thomas Mullen, might be a fairly standard police procedural but for one fact: it is set in Atlanta in the late 1940s and 1950s and the cops? They’re the first black police officers in the city. Unsurprisingly, these police officers are forced to negotiate a tenuous existence. They are the pride of their community, burdened with high expectations and a mandate to be model citizens and officers. Their victories will be everyone’s, but so will their failures. And yet they are hamstrung as law officers. They cannot carry guns or drive squad cars and they are forbidden from arresting white suspects. They are also, at best, despised by their white colleagues. At worst, they are cheated, beaten and framed by these officers who are disgusted to serve in an integrated police force.

Lucius Boggs and Tommy Smith are two of the new officers facing these precarious circumstances. They make for a fun pair. Boggs is the dutiful son of a preacher while Smith likes a faster life, but they are both determined to do their duty and prove their place in the police force. When they begin to unravel the mystery of a young murdered woman and come to suspect a cover-up that involves white police officers and powerful politicians, they must find a way to pursue justice without jeopardizing the fragile and fledgling order that allows them to serve their city and protect their community.

I love the way that Mullen presents a classic detective story through racial and social historical lenses. I was reminded a lot of Richard Price’s police novels, but set in an earlier time where the lines between different communities were a little less blurred. Mullen clearly did his research, and brings a nuanced understanding of a fraught, divisive and transformative time in our history. Darktown’s sequel, Lightning Men, came out in September and I hope we will hear about a third book in the not-too-distant future.

I didn’t plan this, but the themes of otherness, power, and cruelty carry over into Southern Bastards, the third series I’ve been enjoying recently. Written by Jason Aaron, this comic is set in Craw County, Alabama where high school football is sacred and the local team’s legendary coach, Euless Boss, is somewhere between a god and king. The team’s unrivaled success has allowed Boss to run the county. The sheriff is his lap dog, he is widely feared, and he heads the local drug trade while using his players as goonish enforcers. Sometimes it is said that football coaches get away with murder. Euless Boss really does. Earl Tubb finds this arrangement unacceptable. Tubb, an aging, tough-as-nails veteran and former football star, returns to town with a haunted past and very little to lose. This sets the stage for a confrontation between two titans of Craw County, which truly is not big enough for the both of them.

This series is an over-the-top delight. Jason Latour’s illustrations perfectly capture a community rotting from the inside out, while Aaron tells a story that deftly snakes through the shared history of Craw County’s citizens. The focus of this series shifts several times, diving deep into characters’ lives to provide insight into their motivations and empathy for their actions. This is done with such careful precision that even a monster like Euless Boss might win you over. Southern Bastards currently has three published volumes, with a fourth due in February 2018.

Clearly I’ve had a hunger for dark tales of violence and corruption this fall. I promise I also read plenty of lighthearted and uplifting books. You know, like Cormac McCarthy’s The Road. Be sure to sound off in the comments and tell us what series you’re going to dig into this winter!

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