By Jesse, Everett Public Library staff
I get a kick out of a story that can combine world-changing, terrifying, and sometimes supernatural events with a fairly traditional, mundane coming-of-age story. This is one of the many things I love about Andrew Smith’s Grasshopper Jungle. Shaun David Hutchinson also showed his skill with this kind of work in We Are The Ants and he doubled down in his latest novel, The Apocalypse of Elena Mendoza.
At first glance, Elena Mendoza is similar to lots of teenage protagonists. School can be rough — she isn’t exactly popular, but she has made her own community. She loves her mom and younger siblings but hates her loser stepdad. I can keep going: her job sucks; Freddie, the girl she pines for, seems to have no clue she exists; inanimate objects often speak to her; and she is the product of a virgin birth. Like I said, pretty typical.
So about that virgin birth thing. Despite being shouldered with a “miracle child” moniker, there is a scientific explanation for Elena’s situation. She is the first proven human case of parthenogenesis, a form of reproduction involving an unfertilized egg. Other than some cruel classmates who nicknamed her Mary, Elena has largely been able to shed any spotlight that might come from the unique circumstances of her birth. Time heals all wounds and brings enough sensational news stories each day to allow hers to fade away.
The voices Elena hears are a little harder to explain, but truth be told they give her advice that usually proves helpful so she has learned to live with them and hide them from the surrounding world, even from her mother and her best friend, Fadil. Then one day while at work she witnesses a classmate shoot Freddie and is told by the logo on a Starbucks cup to save Freddie’s life. Though it defies explanation, Elena is able to heal Freddie and her reputation as a miracle girl comes storming back, bringing Elena a mess of unwanted attention.
To make matters worse, the boy who shot Freddie disappeared in a ray of light right after Elena performed her “miracle.” The voices tell Elena that she must heal more people to save the world. Fadil, a devout Muslim, tells her to trust in God and plenty of others tell her she is either crazy or a fraud. For her part, Elena is sure there must be some sort of scientific explanation and she is reluctant to use her powers. But with so many people suffering around her, how can she resist? Unfortunately, every time she heals someone, people disappear in strange beams of light. And as her profile grows, more people seem to want to use her, from her selfish stepdad to shadowy government agents. So Elena is left with quite the needle to thread: save the world, avoid manipulation, solve this rapture mystery and figure out if Freddie likes her or resents her for saving her life. No sweat?
Hutchinson packs a lot into this book and in less capable hands this story could have gone off the rails or veered into religious speculation that just isn’t my taste. Yet Elena is a sensible, compassionate, and delightfully wry narrator who manages to keep this wild novel somewhat grounded. I loved her mix of optimism and pragmatism and her quick banter with Fadil, Freddie, and her ex-boyfriend Javi.
More than anything else, however, I appreciate the way this book handles identity. I read a lot of YA fiction that features queer characters and I appreciate the thought and care with which so many authors today write about questioning or discovering sexuality, coming out, facing bigotry, and finding acceptance. I also believe, however, that we need stories like this one. Elena has lots of insecurities but is perfectly open and comfortable with her bisexuality. And that is also how she is treated by Hutchinson. Her identity is only addressed as it pertains to the story. It’s a fact of life, not a plot point. The same could be said for the treatment of Fadil’s religion and Elena’s Cuban-American heritage. Hutchinson’s matter-of-fact approach to diverse representation not only makes for great writing but creates a world that I want to live in. Even if it is on the brink of apocalypse.