NEW YORK — The last Ziegfeld Follies Girl has died.
Doris Eaton Travis, 106, one of the legendary Ziegfeld Follies chorus girls, who wore elaborate costumes for the series of lavish Broadway theatrical productions in the early 1900s, died Tuesday, public relations firm Boneau/Bryan-Brown said. It didn’t say where or how she died.
Travis, who was from West Bloomfield, Mich., also was a supporter of the Broadway Cares/Equity Fights AIDS fundraising organization and appeared often in its Easter Bonnet Competition.
She continued to work long after her Follies days ended, with annual appearances on Broadway, a small role in a Jim Carrey movie and a memoir, “The Days We Danced: The Story of My Theatrical Family From Florenz Ziegfeld to Arthur Murray and Beyond.”
Interest in the 5-foot-2 centenarian piqued after a 1997 reunion with four other Ziegfeld Follies Girls for the reopening of the New Amsterdam Theatre, where she danced about 80 years earlier.
“I was the only one who could still dance,” she said then.
That led to her involvement in the Broadway Cares/Equity Fights AIDS benefit, where she caught the eye of Carrey and director Milos Forman, who were making the movie “Man on the Moon,” about the life of comedian Andy Kaufman.
She played an actress who was no longer popular.
“I had to ride a stick horse and faint and then get resuscitated,” Travis recalled in 2006, laughing as she did a fake gallop.
Even after more than 90 years as a hoofer, dancing still came easy to Travis, whose extravagant Ziegfeld Follies show enchanted Broadway from 1907 into the 1930s.
“I’m the last of the Ziegfeld Follies Girls now,” she said when she was 102. “It’s an honor in a way. I certainly didn’t think that would happen.”
Travis, who owned several dance studios in Michigan and operated a horse ranch in Oklahoma, had a few wrinkles and white curly hair that framed her blue eyes. She enrolled at Oklahoma University and earned a bachelor’s degree in history at age 88. She credited her longevity to her ongoing love affair with dancing and not drinking or smoking.
Travis was born March 14, 1904, one of seven children to newspaper linotype operator Charles Eaton and his wife, Mary, in Norfolk, Va.
Some of the children, who became known as The Eatons of Broadway, got their first break when a stock company production of “Blue Bird” appeared in Washington, D.C., in 1911. Travis and her sisters, Pearl and Mary, had only small roles, but it led to steady work in other local plays.
By then, the Ziegfeld Follies had become an entertainment staple. Inspired by the Folies Bergeres in Paris, Ziegfeld Follies was part Broadway show, part Vaudeville, featuring top entertainers such as W.C. Fields, Eddie Cantor, Fanny Brice and Will Rogers. Juicing up the show were beautiful dancers who performed elaborate chorus numbers composed by Irving Berlin and who wore costumes by Art Deco designer and illustrator Erte.
Pearl Eaton nabbed a part in the chorus of the “Ziegfeld Follies of 1918,” and Travis became the youngest Ziegfeld Follies Girl when she was hired at age 14. She became a principal dancer in 1920.
She turned to silent movies with “At the Stage Door” and “The Broadway Peacock” in 1920 and “Tell Your Children” in 1922. But she never really got into film.
Travis’ love of dancing and musical theater was shaken when the stock market crash of 1929 ushered in the Depression and an end to many theaters.
At a friend’s suggestion, she applied for a job as a tap dance instructor at the Arthur Murray Dance Studios in New York. She got the job and branched into social dance. She eventually opened a Murray franchise in Michigan and began a second career.
Murray gave her a list of people who had taken lessons or paid for some and hadn’t completed them, and one of the first people she contacted was Paul H. Travis, whom she married in 1949. He died in 2000, a few days before his 100th birthday.
In a statement on behalf of the family, her nephew Joe Eaton Jr. said Tuesday she always loved Broadway.
“She adored dancing with the young dancers,” he said, “seeing new shows and the incredible response from the Easter Bonnet audience and Broadway community.”
The executive director of BC/EFA, Tom Viola, said Broadway Cares loved Travis, whom he first met when she was 94 and was appearing at the 12th Easter Bonnet Competition.
“When the stage lights hit Doris,” he said, “she was instantly and forever young.”
He said Broadway, which planned to dim its lights tonight in her honor, would “miss her forever.”
Funeral arrangements are private. A memorial service in West Bloomfield will be announced later.
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