Don’t let structure be ‘lost opportunity’

Ask most people in Everett if they know about the Collins Building and they will look at you quizzically, until you say “You know, the huge 3-story red building down on the waterfront? The one with the cool windows on all sides?” Then people know.

The Collins Building has been a quiet landmark in Everett since the early 1920s. Built as an adjunct to the Hulbert Mill, it was originally built on pilings and a pier, completely surrounded by water. After fires destroyed most of the old Everett waterfront, after dredging the Snohomish River and in-filling the entire waterfront shoreline, after decades of time and industrial development, countless storms and earthquakes, the Collins Building is still standing, testament to all that has gone before. It is the last historic landmark of Everett’s early waterfront days.

If the Port of Everett has its way, the Collins Building will be torn down in the fall of 2004 to make way for the North Marina Redevelopment Plan. This plan has been in the works for three years, but now destruction of the Collins Building is imminent. Why only now are people beginning to talk about the saving the Collins Building?

It is because very few people have ever been inside. It has never been open to the public and most residents don’t know what a treasure it is. Walk into the main floor and once inside you fall in love with the huge expanse of fir floor, the high ceilings that are supported by old growth wood columns and beams the size of tree trunks. Windows surround you creating a light, airy, lofty space, even on gray Northwest days.

All three floors, equaling 60,000 square feet hold great promise as a historically authentic, public space. Imagine a year-round indoor public market here, alive with people. Imagine the upper floors dedicated to an Everett/Snohomish Historic Museum, full of people learning about our history. The possible public uses for such a structure are endless and exciting.

Everett’s future needs the port’s North Marina Redevelopment Plan and the many benefits that it will bring. Everett also needs to preserve our authentic places. The Collins Building should be the showcase at the 13th Street Gateway to this wonderful new development, not a lost opportunity.

Everett

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THis is an editorial cartoon by Michael de Adder . Michael de Adder was born in Moncton, New Brunswick. He studied art at Mount Allison University where he received a Bachelor of Fine Arts in drawing and painting. He began his career working for The Coast, a Halifax-based alternative weekly, drawing a popular comic strip called Walterworld which lampooned the then-current mayor of Halifax, Walter Fitzgerald. This led to freelance jobs at The Chronicle-Herald and The Hill Times in Ottawa, Ontario.

 

After freelancing for a few years, de Adder landed his first full time cartooning job at the Halifax Daily News. After the Daily News folded in 2008, he became the full-time freelance cartoonist at New Brunswick Publishing. He was let go for political views expressed through his work including a cartoon depicting U.S. President Donald Trump’s border policies. He now freelances for the Halifax Chronicle Herald, the Toronto Star, Ottawa Hill Times and Counterpoint in the USA. He has over a million readers per day and is considered the most read cartoonist in Canada.

 

Michael de Adder has won numerous awards for his work, including seven Atlantic Journalism Awards plus a Gold Innovation Award for news animation in 2008. He won the Association of Editorial Cartoonists' 2002 Golden Spike Award for best editorial cartoon spiked by an editor and the Association of Canadian Cartoonists 2014 Townsend Award. The National Cartoonists Society for the Reuben Award has shortlisted him in the Editorial Cartooning category. He is a past president of the Association of Canadian Editorial Cartoonists and spent 10 years on the board of the Cartoonists Rights Network.
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