Don’t make me laugh, you might get sued

What is it about humor that all too often results in situations that decidedly are not a laughing matter?

Free speech in comedy attracts controversy as well as belly laughs, and in the case of two “South Park” television episodes this season that attempted to feature the Prophet Muhammad, even death threats.

A quick review of this ironic “laugh track”: Lenny Bruce’s run-ins with local police over his language in the 1950s and ’60s; CBS’ 1969 cancellation of the Smothers Brothers TV show, with its biting political satire against Presidents Lyndon Johnson and Richard Nixon; George Carlin’s “seven dirty words” stand-up routine that wound up at the heart of a landmark 1978 Supreme Court case; and the post-9/11 flap over Bill Maher’s wise-guy observation about terrorists and courage.

Recently there have been not-so-veiled warnings to “South Park” creators Trey Parker and Matt Stone over episodes featuring Islam’s most-revered figure. And just the other day a comedian successfully thwarted a lawsuit filed by members of her own family over jokes she used onstage about them.

Sunda Croonquist, whose stand-up comedy act makes fun of her background as a “half-black, half-Swedish” woman who marries into a Jewish family, included unflattering references to family members in live performances and on a Web site. Croonquist’s brother- and sister-in-law, and her mother-in-law, said the jokes caused them to suffer public ridicule and emotional distress.

In a lengthy April 30 ruling, U.S. District Judge Mary L. Cooper of New Jersey said the examples in the lawsuit — including Croonquist’s saying her sister-in-law’s voice sounded like “a cat in heat” and her references to her in-laws as “racist” — were just opinions, and therefore protected speech.

Jokes that need to be explained generally lose the punch in their punch lines. Judge Cooper decidedly was not reaching for a chuckle but was voicing a legal maxim when she quoted the reasoning from a 1999 court decision in saying Croonquist’s cat-in-heat joke was “mere colorful, figurative rhetoric that reasonable minds would not take to be factual.”

And opinions, being just that, can’t carry the defamatory weight of facts — a position that protects not just performers but editorial writers, bloggers, preachers, politicians, critics … just about everybody with an opinion.

The First Amendment protects a wide range of remarks related to comedy, from stand-up routines to satire to editorial cartoons to advertising.

Perhaps the most significant First Amendment case touching on humor — involving a public figure, unlike the Croonquist lawsuit — arose in 1983 when Hustler magazine publisher Larry Flynt ran a parody describing the late Rev. Jerry Falwell’s first sexual experience as a drunken, incestuous childhood encounter with his mother in an outhouse.

Flynt successfully fought Falwell’s lawsuit all the way to the U.S. Supreme Court, where in 1988 then-Chief Justice William Rehnquist wrote: “At the heart of the First Amendment is the recognition of the fundamental importance of the free flow of ideas and opinions on matters of public interest and concern.”

From “Saturday Night Live” skits and skewers to Jon Stewart’s nightly political commentary-as-comedy on “The Daily Show” to late-night monologues by David Letterman, Jay Leno and others that poke fun and deflate famous egos, humor is one means by which (to use one of SNL’s old gag-lines) we are free to “talk amongst ourselves” as a nation about important issues.

Even the Supreme Court is not immune to parody. The satirical print-and-online publication The Onion published a “report” on May 3 of a fictitious court ruling, headlined “Supreme Court Upholds Freedom Of Speech In Obscenity-Filled Ruling.” A photo showed a justice flashing a middle-finger gesture purportedly aimed at those who disagreed with her constitutional views. That was accompanied by profanity-laced “comments” by other members of the Court.

Whether the editors’ goal was simply to puncture the Court’s renowned decorum with jokes in bad taste, or to use hyperbole to make a serious point about freedom of expression — or both — The Onion likely has more to fear from critics of its style and manner than from any successful threat of criminal prosecution or civil lawsuits.

And under the First Amendment, that holds true, whether it’s in-laws or Supreme Court justices who are involved. Free speech is no less protected — and no less valuable — when it makes us laugh as well as think.

Gene Policinski is vice president and executive director of the First Amendment Center in Washington, D.C. (www.firstamendmentcenter.org). His e-mail address is gpolicinski@fac.org.

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THis is an editorial cartoon by Michael de Adder . Michael de Adder was born in Moncton, New Brunswick. He studied art at Mount Allison University where he received a Bachelor of Fine Arts in drawing and painting. He began his career working for The Coast, a Halifax-based alternative weekly, drawing a popular comic strip called Walterworld which lampooned the then-current mayor of Halifax, Walter Fitzgerald. This led to freelance jobs at The Chronicle-Herald and The Hill Times in Ottawa, Ontario.

 

After freelancing for a few years, de Adder landed his first full time cartooning job at the Halifax Daily News. After the Daily News folded in 2008, he became the full-time freelance cartoonist at New Brunswick Publishing. He was let go for political views expressed through his work including a cartoon depicting U.S. President Donald Trump’s border policies. He now freelances for the Halifax Chronicle Herald, the Toronto Star, Ottawa Hill Times and Counterpoint in the USA. He has over a million readers per day and is considered the most read cartoonist in Canada.

 

Michael de Adder has won numerous awards for his work, including seven Atlantic Journalism Awards plus a Gold Innovation Award for news animation in 2008. He won the Association of Editorial Cartoonists' 2002 Golden Spike Award for best editorial cartoon spiked by an editor and the Association of Canadian Cartoonists 2014 Townsend Award. The National Cartoonists Society for the Reuben Award has shortlisted him in the Editorial Cartooning category. He is a past president of the Association of Canadian Editorial Cartoonists and spent 10 years on the board of the Cartoonists Rights Network.
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