Science and art merge in fascinating exhibit

Art isn’t easy. It’s not something you do because you’re not a whiz in math – that’s journalism. It’s not a quick credit or two in high school. But it sure is fascinating. And those of us who aren’t blessed with artistic talent, or just don’t know it yet, can appreciate others’ work at the current exhibit of the Arts Council of Snohomish County.

The Art of Science is everywhere at the council’s gallery on Wall Street in Everett. Starting today, school kids will find out via field trips that art is not just a bunch of pictures hanging on drab walls. It’s about 3-D theaters, “interactive beings,” bamboo gardens, the string theory, blown eggs, pottery, glass fusion, photography, sculptures and much more.

Until June 17, the gallery is featuring this collection of work by artists who use science concepts in one manner or another to create their pieces. And the artists, in their own words, tell you how and why they did it.

In Professor Gunter’s Superphosphorescent 3-D Chamber, visitors can learn all about how 3-D works and what the “phosphorescent effect” is all about before they even put on the 3-D glasses and step inside the theater to see some of the “professor’s” colorful artwork jump out at them.

That’s if they’re not first swept away by artist Jerry Wennstrom’s “interactive beings.” Quiet and untouched, these grandfather-clock tall creatures made out of knobs, gadgets and gizmos, are interesting enough to study. When a docent twists, turns, pulls or pushes something, the creatures come alive. One being’s innards includes a small steam engine built from scratch.

A couple of ceramic pieces deserve a second and third look when the viewer learns that ceramics isn’t just a matter of running your hands through wet clay. It involves engineering, physics and chemistry in order to calculate correctly so the artist doesn’t break the delicate work.

And who would have thought that a Pacific Dolphin has “hands”? You’ll believe it when you see Jerry McCollum’s stark and stunning photo of this dolphin’s skeleton.

Parents of students fortunate enough to visit the exhibit will find themselves curious to see for themselves what all the talk is about. But the rest of us shouldn’t leave it just to the children. This exhibit is inspiring enough to make us all believe we are smart enough to be artists.

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THis is an editorial cartoon by Michael de Adder . Michael de Adder was born in Moncton, New Brunswick. He studied art at Mount Allison University where he received a Bachelor of Fine Arts in drawing and painting. He began his career working for The Coast, a Halifax-based alternative weekly, drawing a popular comic strip called Walterworld which lampooned the then-current mayor of Halifax, Walter Fitzgerald. This led to freelance jobs at The Chronicle-Herald and The Hill Times in Ottawa, Ontario.

 

After freelancing for a few years, de Adder landed his first full time cartooning job at the Halifax Daily News. After the Daily News folded in 2008, he became the full-time freelance cartoonist at New Brunswick Publishing. He was let go for political views expressed through his work including a cartoon depicting U.S. President Donald Trump’s border policies. He now freelances for the Halifax Chronicle Herald, the Toronto Star, Ottawa Hill Times and Counterpoint in the USA. He has over a million readers per day and is considered the most read cartoonist in Canada.

 

Michael de Adder has won numerous awards for his work, including seven Atlantic Journalism Awards plus a Gold Innovation Award for news animation in 2008. He won the Association of Editorial Cartoonists' 2002 Golden Spike Award for best editorial cartoon spiked by an editor and the Association of Canadian Cartoonists 2014 Townsend Award. The National Cartoonists Society for the Reuben Award has shortlisted him in the Editorial Cartooning category. He is a past president of the Association of Canadian Editorial Cartoonists and spent 10 years on the board of the Cartoonists Rights Network.
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