‘Seventh Day’ artfully juggles sports, immigration themes

Life

‘Seventh Day’ artfully juggles sports, immigration themes

The Brooklyn neighborhood where the movie takes place comes to vivid life.

‘Skyscraper’ offers high-rise thrills, The Rock’s shoulders

Life

‘Skyscraper’ offers high-rise thrills, The Rock’s shoulders

The action-movie superstar deftly carries this fun summer blockbuster.

‘The King’ tries to tie Elvis’ decline to America’s

Life

‘The King’ tries to tie Elvis’ decline to America’s

The documentary strives, not very successfully, to connect the music icon to Trump’s America.

In “Soldado” sequel, there’s nobody left with any illusions

Life

In “Soldado” sequel, there’s nobody left with any illusions

“Sicario: Day of the Soldado” is extremely bleak, but it’s effective enough as a crime film.

‘Trace’ draws acute portrait of father-daughter relationship

Life

‘Trace’ draws acute portrait of father-daughter relationship

Debra Granik’s terrific film shows how a young woman emerges from her parent’s influence.

Same old stuff happens on latest trip to ‘Jurassic World’

Life

Same old stuff happens on latest trip to ‘Jurassic World’

It’s a bit peppier than the turgid 2015 installment, but that’s about it.

‘Izzy Gets the F—- Across Town’ spotlights a rising star

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‘Izzy Gets the F—- Across Town’ spotlights a rising star

The movie’s pretty much typical indie stuff, but star Mackenzie Davis will be big very soon.

Take on ‘Frankenstein’ author flatlines into dullness

Life

Take on ‘Frankenstein’ author flatlines into dullness

“Mary Shelley” is hamstrung by characters who are types rather than interesting people.

Is ‘2001: A Space Odyssey’ too arty for the Kids Today?

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Is ‘2001: A Space Odyssey’ too arty for the Kids Today?

Kubrick’s classic blew minds in 1968, but it might be too slow and enigmatic for today’s audiences.

Art heist flick gets darker — and better — as it goes along

Life

Art heist flick gets darker — and better — as it goes along

The indie film “American Animals” could be a breakout hit, thanks to MoviePass.

Saoirse Ronan is the best thing about ‘On Chesil Beach’

Life

Saoirse Ronan is the best thing about ‘On Chesil Beach’

The Oscar-nominated actress owns this otherwise uneven adaptation of Ian McEwan’s novella.

Punk rocker-meets-alien comedy should have been fun

Life

Punk rocker-meets-alien comedy should have been fun

“How to Talk to Girls at Parties” is undone by square humor and a poor feel for late-1970s…

Mesmerizing leads in whodunit ‘Beast’ meant to be future stars

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Mesmerizing leads in whodunit ‘Beast’ meant to be future stars

Jessie Buckley and Johnny Flynn give memorable performances as misfits who fall for each other.

Origin story ‘Solo’ delivers the ‘Star Wars’ thrills

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Origin story ‘Solo’ delivers the ‘Star Wars’ thrills

It’s no classic, and star Alden Ehrenreich can’t match Harrison Ford (who can?), but the movie is fun.

Snark is still a superpower of self-referential ‘Deadpool 2’

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Snark is still a superpower of self-referential ‘Deadpool 2’

People who dug the first outing will probably enjoy Ryan Reynolds’ smart-aleck sequel.

Movie marathon: The 12 films you need to see at SIFF

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Movie marathon: The 12 films you need to see at SIFF

The Herald’s movie critic is eager to watch these titles at the Seattle International Film Festival.

McCarthy earns an ‘A’ for slapstick in ‘Life of the Party’

Life

McCarthy earns an ‘A’ for slapstick in ‘Life of the Party’

No need to feel sorry or sad about McCarthy’s character, although she does have a lot on her…

‘Tully’ goes beyond one-liners to make emotional connection

Life

‘Tully’ goes beyond one-liners to make emotional connection

Charlize Theron is superb as a weary pregnant mom whose spirits are lifted by a magical nanny.

Spin-offs and follow-ups: Our preview of 29 summer movies

Life

Spin-offs and follow-ups: Our preview of 29 summer movies

As usual, many of this year’s wannabe blockbusters are built on the films that came before.

‘Zama’: Argentine filmmaker conjures a fever dream

Life

‘Zama’: Argentine filmmaker conjures a fever dream

Lucrecia Martel’s movie takes an absurdist approach to a thorny subject: colonialism.