Sullivan: Why Jan. 6 hearings have dominated the news cycle

Their newsworthiness, quick pace and compelling participants have earned the attention of press and public.

By Margaret Sullivan / The Washington Post

By their nature, congressional hearings are boring. Politicians speechify. The pace is slow and halting. If anyone manages to say anything important, it’s drowned in a sea of bloviation.

But the eight Jan. 6 select committee hearings have been riveting to watch; and even more remarkably, they have captured the daily news cycle again and again, not only finding substantial TV and streaming audiences as they aired but also consistently landing at the top of broadcast and cable news reports and of newspaper front pages. This was far from a sure thing, given how much news coverage the Capitol riot already received over the past year and a half.

Thursday night’s hearing — the season finale, as it’s been dubbed — was no exception.

The New York Times led its website Friday morning with this headline: “Jan. 6 Panel Presents Evidence of Trump’s Refusal to Stop the Capitol Riot.” The Washington Post took its hearings headline across five of the six possible front-page columns in print — “Trump ignored many pleas to act” — with two additional related stories nearby. CNN spent nearly as much time recapping and analyzing afterward as the hearing itself had consumed. Nearly every other major media outlet — with the obvious exception of Fox News — gave the hearing an equivalent treatment.

“It’s surprising — certainly not what I would have predicted — the way these hearings have broken through and captured the news cycle again and again,” said Tom Bettag, a journalism professor at the University of Maryland.

Bettag was a longtime executive producer of the CBS “Evening News” and ABC’s “Nightline” whom I’ve found to be a savvy media observer, so I was eager to talk to him about how these hearings have managed to command the news cycle. Here are a few theories:

1. Newsworthiness: Each hearing has produced at least one legitimate nugget of actual news, and sometimes more than one. Bettag theorizes that this has made it easier for the broadcast networks to overcome their concerns of looking like a cheering squad for anti-Trump forces.

“They ask themselves, ‘was there anything new?’ and if they can answer yes, it gives them a reason to overcome the worry about partisanship,” he told me.

For example, the first prime-time hearing, which aired in early June, provided a video clip of former attorney general William Barr’s candidly expressed testimony about Trump’s claims that the election was stolen: “I told the president it was bullshit.” Vivid stuff that also suggested Trump knew he lost but lied to the American public about it anyway.

In a subsequent hearing, White House aide Cassidy Hutchinson made headlines with her shocking account of how the president tangled angrily with his own Secret Service detail as he tried to insist on going to the Capitol with the mob, apparently to try to overturn the election.

2. Pace: Although somber and unflashy in tone, the hearings have been characterized by something almost unheard of in this kind of congressional forum: briskness. They move expeditiously from brief opening statements to video or live testimony. There have been no extemporaneous speeches, no tedious delays, no “look at me” displays.

“They cut that out completely,” Bettag said. “It’s shocking that they have had that degree of discipline.” Rather than crediting former ABC News president James Goldston, who served as a consultant to the committee, Bettag thinks it’s more likely that the efficiency resulted from excellent work by congressional staff.

The liveliness kept the general public tuned in; and that public interest, in turn, probably affected the amount of news coverage that editors and media executives decided it warranted.

3. A compelling central character: Liz Cheney, with her steely resolve and understated intensity, is hard to look away from, especially when you know the backstory of the committee’s vice chairwoman: her conservative views and voting record, how the Wyoming Republican has been drummed out of her leadership role, and the very real possibility that her political career will end as a result of what she’s doing.

“She is breathtakingly different and is the person driving this whole operation in a totally unexpected way,” Bettag said. “She has become the embodiment of the notion that the sworn allegiance to the Constitution comes before politics.”

As Cheney recently told Peter Baker of the New York Times, “I believe this is the most important thing I’ve ever done professionally, and maybe the most important thing I ever do.”

The clarity and moral force behind that sentiment comes across in her demeanor, and whatever you think of her politics, it’s admirable.

There are plenty of other interesting characters: Trump White House lawyer Pat Cipollone, with his matter-of-fact tone and devastating answers; or the young Capitol police officer, Caroline Edwards, who stirred emotions as she recounted the chaotic scene at the Capitol and “slipping in people’s blood.”

But it’s Cheney, undoubtedly, who is the heart and soul of the hearings. And news coverage — never averse to drama and personality — has reacted accordingly.

4. “Dumb luck”: That’s how Bettag characterizes the simple fact that the other major news story of recent months— the heartbreaking spate of deadly mass shootings in Highland Park, Ill., Uvalde, Texas, Buffalo, N.Y., and elsewhere — have not occurred on the same dates as the hearings themselves. (Two were in May, before the hearings began; the Highland Park tragedy was on the Fourth of July.)

As a result, with very few exceptions, the three broadcast networks — ABC, NBC and CBS — have led their half-hour evening newscasts with what happened at each of the eight hearings and often given them unusually big chunks of time.

Meanwhile, the intense interest by news consumers in the Russian invasion of Ukraine had waned somewhat. And so, other than a heat wave and a new coronavirus variant on the rise, there wasn’t all that much to compete with the hearings as a news story.

The news gods thus smiled upon the hearings and cleared a path for them to dominate. And that they certainly have done.

Margaret Sullivan is The Washington Post’s media columnist. Previously, she was the New York Times’s public editor and the chief editor of the Buffalo News, her hometown paper. Follow her on Twitter @sulliview.

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THis is an editorial cartoon by Michael de Adder . Michael de Adder was born in Moncton, New Brunswick. He studied art at Mount Allison University where he received a Bachelor of Fine Arts in drawing and painting. He began his career working for The Coast, a Halifax-based alternative weekly, drawing a popular comic strip called Walterworld which lampooned the then-current mayor of Halifax, Walter Fitzgerald. This led to freelance jobs at The Chronicle-Herald and The Hill Times in Ottawa, Ontario.

 

After freelancing for a few years, de Adder landed his first full time cartooning job at the Halifax Daily News. After the Daily News folded in 2008, he became the full-time freelance cartoonist at New Brunswick Publishing. He was let go for political views expressed through his work including a cartoon depicting U.S. President Donald Trump’s border policies. He now freelances for the Halifax Chronicle Herald, the Toronto Star, Ottawa Hill Times and Counterpoint in the USA. He has over a million readers per day and is considered the most read cartoonist in Canada.

 

Michael de Adder has won numerous awards for his work, including seven Atlantic Journalism Awards plus a Gold Innovation Award for news animation in 2008. He won the Association of Editorial Cartoonists' 2002 Golden Spike Award for best editorial cartoon spiked by an editor and the Association of Canadian Cartoonists 2014 Townsend Award. The National Cartoonists Society for the Reuben Award has shortlisted him in the Editorial Cartooning category. He is a past president of the Association of Canadian Editorial Cartoonists and spent 10 years on the board of the Cartoonists Rights Network.
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