I’ve always taught what I loved, and I’ve always loved music. I spent my high school years as a piano teacher. I’d start out my students with boogies and pop songs, and eventually get them turned on to Bach and Beethoven.
In 1980, a truck dropped off 2,500 copies of my first guidebook: “Europe Through the Back Door.” During that year’s Christmas recital, some parents sat on boxes of travel books while their kids played carols, boogies and Bach.
By the next Christmas, I had let my piano students go. From that point on, I would be teaching European culture in print rather than on the keyboard.
But I haven’t abandoned my Bach and Beethoven. Just as travel broadens your perspectives, so can music. Mixing the two on a trip to Europe brings an extra dimension to your travels. And four European cities — Salzburg, Leipzig, Bergen and Vienna — really rock when it comes to sights honoring local composers and their music.
Salzburg is forever smiling to the tunes of Mozart. You’ll get a double dose of Wolfgang Amadeus here, the Mozart Birthplace and the Mozart Residence (www.mozarteum.at).
The house where Mozart was born is also where he composed most of his boy-genius works. Today it’s the most popular Mozart sight in town. You’ll peruse three floors of rooms with exhibits displaying paintings, letters, personal items and lots of facsimiles, all attempting to bring life to the Mozart story.
The Mozart Residence — Mozart’s second home (his family moved here when he was 17) — is less interesting than the house where he was born, but it’s also roomier, less crowded, and holds a piano that Mozart actually owned.
It also comes with an informative audioguide and a 30-minute narrated slideshow. If you’re looking for a deal, one combo ticket will get you into both places.
For those traveling to Germany, there are two sights in Leipzig that pay homage to another musical genius: Johann Sebastian Bach. The historic St. Thomas Church (www.thomaskirche.org) is where Bach ran the boys’ choir from 1723 until 1750. While here, Bach was remarkably prolific; for a time, he even composed a new cantata every week. In front of the altar is the composer’s tomb.
Across the little square from St. Thomas is the small, pricey, but very well-presented Bach Museum (www.bach-leipzig.de). You’ll see the actual organ console where Bach played his favorite instrument, an iron chest that came from his household and original manuscripts. With the help of the excellent audioguide, this museum is an absolute delight for music lovers.
Far to the north near the Norwegian port of Bergen is Edvard Grieg’s home, Troldhaugen (www.kunstmuseene.no/troldhaugen). Norway’s greatest composer spent his last 22 summers here, soaking up inspirational fjord beauty and composing many of his greatest works.
You can visit his house on your own, but it’s more enjoyable if you take the included 20-minute tour. In summer, try to also attend the lunchtime piano concert. And don’t miss his little studio near the fjord; in this tiny space Grieg created some huge works.
Vienna is to classical music what Athens is to sculpture, Florence to painting and Milwaukee to beer. You can make pilgrimages to the homes (now mostly small museums) of many composers: Schubert, Brahms, Haydn, Beethoven or Mozart. But I find these places inconveniently located and generally underwhelming.
My favorite musical setting in Vienna is not a single home but an entire “House of Music.” The Haus der Musik (www.hdm.at) is a high-tech experience that celebrates the hometown specialty. The museum, spread over five floors and well-described in English, is unique for its effective use of interactive touchscreen computers and headphones to explore the physics of sound.
The museum also features fine audiovisual exhibits on each of the famous local heroes (Haydn, Mozart, Beethoven, Schubert, Strauss and Mahler). Before leaving, pick up a virtual baton to conduct the Vienna Philharmonic. Each time you screw up, the musicians put their instruments down and ridicule you; make it through the piece, and you’ll get a rousing round of applause.
If you can’t get to Europe soon, “Rick Steves’ Europe: A Symphonic Journey,” is debuting all across the United States on public television this spring. I team up with Edmonds’ Cascade Symphony Orchestra on a musical tour that begins in the U.S. and then touches down in seven European countries, with each classical work accompanied by video footage of that country’s landmarks.
Even if powdered wigs and conductor’s batons aren’t your thing, take time to weave travel and classical music together. You’ll find that in Europe, and all over the world, music is an international language — it cuts across borders and joins people together.
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