Comment: Online harassment of women reporters chillingly real

Intimidation by Fox’s Tucker Carlson and anonymous others threatens to silence good journalism.

By Margaret Sullivan / The Washington Post

Julia Carrie Wong remembers a time, years ago, when she felt that being a part of digital culture was fun.

“I used to really enjoy online spaces, having a personality and a voice,” recalled the 37-year-old technology reporter for The Guardian.

That changed radically several years ago after she wrote on Twitter in support of a journalist who had been targeted by a white-nationalist site.

The trolling began. Wong had once described herself, in a first-person story, as half-Chinese American and half-Jewish, so her online attackers blasted vicious slurs against both parts of her heritage. They circulated photos doctored to show horns on her head. They talked about where she lived.

It has only gotten worse since then. In 2019, Wong wrote a story about the man accused of killing 23 people at an El Paso Walmart after allegedly penning a missive posted to 8chan, an anonymous discussion board. Swarms of toxic online denizens of that site and others came after her, bombarding her with death and rape threats.

“I got really scared,” Wong told me by phone last week. “It kind of overwhelms you. It puts you into a fight-or-flight state.”

And there was another worry, she said: “I became a liability to my family members,” whom the trolls also began to target. She had reason to fear that her siblings’ jobs could be endangered by trolls making bogus complaints about them.

She suffered panic attacks so severe that she had to take time off work. The Guardian, she told me, has been supportive, helping with digital security and judging that her mental health trauma could be seen as a workplace injury.

And yet, she feels shame. “I am so embarrassed not to be able to do my job.”

Wong’s situation is a kind that is increasingly common for journalists; especially women who cover technology.

Take the case of Taylor Lorenz, a reporter in her mid-30s who joined The New York Times about a year and a half ago. She has drawn a lot of attention for covering some of the bigger players and cultural trends in the male-dominated tech world, and she herself is active and outspoken on social media.

Last week, she tweeted about “the harassment and smear campaign I’ve had to endure” in a message urging her followers to “consider supporting women” dealing with such attacks. A harmless enough tweet, one might think. Not for Fox News’s Tucker Carlson. The most-watched host in cable news proceeded to lavish significant airtime over two nights bashing the journalist for this sentiment, calling her “a deeply unhappy narcissist” and an example of “the most privileged in our society pretending to be oppressed.”

It’s not what Carlson says about her that’s so bad. It’s that his disproportionate focus on her before his audience of millions has unleashed ever more troll attacks. Lorenz called that “an attempt to mobilize an army of followers to memorize my name and instigate harassment.” And, she wrote, “the scope of attacks has been unimaginable. There’s no escape.”

The digital harassment is pervasive, and it is destructive to the lives and careers of female journalists. Much of it dates back to GamerGate, the internet culture war that began in 2013, in which armies of misogynistic internet trolls were sicced on female gamers and journalists. The Washington Post’s Caitlin Dewey called it “a proxy war for a greater cultural battle over space and visibility and inclusion, a battle over who belongs to the mainstream.”

Misogyny, often racist misogyny, is at the heart of the more recent attacks on journalists, too. And it’s happening all over the world.

The Post’s Seung Min Kim was targeted by trolls online after doing routine reporting on Capitol Hill last month. The abuse prompted Post National Editor Steven Ginsberg to respond in a statement: “The racist and sexist attacks have been vicious; and typical. She and other minority women endure vile, baseless attacks on a daily basis, no matter what story they are working on or tweeting about.”

Elisa Lees Muñoz, executive director of the International Women’s Media Foundation, told me last week that the purpose is “clearly an effort to silence women’s voices in public spaces.”

Sadly, there is a chilling effect on journalism itself. Reporters may decide to pull back to protect themselves, asking whether a particular article is really worth the abuse it will bring. They may decide to leave the profession altogether.

The foundation put out a statement in support of Lorenz: “Women journalists must be able to do their jobs without fear for their lives. We stand with Lorenz and call for an immediate end to this violent behavior.”

With a coalition of other organizations, including the Committee to Protect Journalists and the International Center for Journalists, the foundation will launch a digital security “hub” to provide support and resources. It will be a place to turn to when the Internet gets especially ugly.

Despite her harrowing experience, Wong knows she has been more fortunate than many others, because her employer has been supportive and because she is on staff. For freelancers, or journalists on short-term contracts, she noted, that protection often doesn’t exist.

Some conflict-averse news companies deal with the problem by simply refusing to employ women who are being targeted online, Wong said. “They get thrown under the bus.”

The answers aren’t obvious. Social media platforms such as Facebook and Twitter are unlikely to solve the problem. And someone such as Carlson, whose entire persona is based on engendering outrage, may just move on to the next target.

If there’s anything hopeful, it’s the increasing awareness. And that organizations are getting together to help.

“Attention is clearly a weapon; or can be,” Wong told me. “When there’s a threat, it feels like a physical threat.”

I know what she means. I’ve experienced just enough of this abuse — viciously misogynistic name-calling and sexualized fantasies about dismembering me — to understand it a little. Most of mine came when I criticized former president Donald Trump or his media allies, but the subject matter isn’t really at the core.

It’s simply an unhinged rage that women dare to have a voice.

Unless you’ve been there, it’s hard to comprehend how deeply destabilizing it is, how it can make you think twice about your next story, or even whether being a journalist remains worth it.

And yet, my experience is only a tiny fraction of Wong’s or so many others’.

Even if the hordes never make it to your door, the fear is real.

Margaret Sullivan is The Washington Post’s media columnist. Previously, she was the New York Times public editor, and the chief editor of the Buffalo News, her hometown paper.

Talk to us

> Give us your news tips.

> Send us a letter to the editor.

> More Herald contact information.

More in Opinion

toon
Editorial cartoons for Wednesday, Oct. 1

A sketchy look at the news of the day.… Continue reading

2024 Presidential Election Day Symbolic Elements.
Editorial: Retain Marysville School Board’s current members

Simpson, Tomas and Hereth should be kept on to aid the path toward stability and better schools.

Welch: Business case for Kroger’s closure of Everett Fred Meyer

The grocery chain cited theft, but other costs from labor, taxes and regulation certainly contributed.

Republicans argue to keep government open but won’t talk with Democrats focused on health care costs.

By Nia-Malika Henderson / Bloomberg Opinion It’s Bizarro World in Washington. Democrats… Continue reading

Friedman: Peace plan unlikely, but it requires every effort

It can work as designed, but every step it comes closer to peace means some will fight to destroy it.

French: Trump, Bondi tailor a crime that’s a poor fit for Comey

The only clear evidence in the indictment of James Comey is that Trump wants revenge.

Dowd: If you’re not worried about AI, time to take another look

Elon Musk’s Grok is turning young men inward, while AI advances faster than we can grasp its power.

Indians' J.P. Martinez beats the throw to AquaSox's Cal Raleigh for a run in the first inning Wednesday evening at Everett Memorial Stadium in Everett on September 5, 2018.  (Kevin Clark / The Herald)
Editorial: Mariners’ owners can seize the moment in Everett

Assistance with a downtown stadium for the AquaSox offers a return on investment for the Mariners.

2024 Presidential Election Day Symbolic Elements.
Editorial: Marine for Mukilteo mayor; Van Duser for council

The mayor should be elected to a fourth term. A newcomer offers her perspective to the council.

THis is an editorial cartoon by Michael de Adder . Michael de Adder was born in Moncton, New Brunswick. He studied art at Mount Allison University where he received a Bachelor of Fine Arts in drawing and painting. He began his career working for The Coast, a Halifax-based alternative weekly, drawing a popular comic strip called Walterworld which lampooned the then-current mayor of Halifax, Walter Fitzgerald. This led to freelance jobs at The Chronicle-Herald and The Hill Times in Ottawa, Ontario.

 

After freelancing for a few years, de Adder landed his first full time cartooning job at the Halifax Daily News. After the Daily News folded in 2008, he became the full-time freelance cartoonist at New Brunswick Publishing. He was let go for political views expressed through his work including a cartoon depicting U.S. President Donald Trump’s border policies. He now freelances for the Halifax Chronicle Herald, the Toronto Star, Ottawa Hill Times and Counterpoint in the USA. He has over a million readers per day and is considered the most read cartoonist in Canada.

 

Michael de Adder has won numerous awards for his work, including seven Atlantic Journalism Awards plus a Gold Innovation Award for news animation in 2008. He won the Association of Editorial Cartoonists' 2002 Golden Spike Award for best editorial cartoon spiked by an editor and the Association of Canadian Cartoonists 2014 Townsend Award. The National Cartoonists Society for the Reuben Award has shortlisted him in the Editorial Cartooning category. He is a past president of the Association of Canadian Editorial Cartoonists and spent 10 years on the board of the Cartoonists Rights Network.
Editorial cartoons for Tuesday, Sept. 30

A sketchy look at the news of the day.… Continue reading

Comment: Latest shutdown theatrics making same mistakes

Democrats may be justified in not giving in; that doesn’t mean that they won’t be blamed for results.

Our democracy needs its own four-way test

The Rotary Club has what it calls a Four-Way Test to assess… Continue reading

Support local journalism

If you value local news, make a gift now to support the trusted journalism you get in The Daily Herald. Donations processed in this system are not tax deductible.