Harrop: Parents, think before you hit ‘share’ on your kid’s pic

Will your posts of your kids’ past haunt them as adults? And just who’s lurking on social media sites?

By Froma Harrop

Syndicated columnist

My Facebook feed often carries pictures of children whom I don’t know and, in the case of sonograms, who aren’t even born yet. They are strangers to me, albeit cute strangers. If I’m very close to the sender, I’ll respond in a private message, “That’s the most beautiful baby I’ve ever seen,” and then move on.

Many social media posts showcasing children, however, do bother me. Babies with birthday cake smeared on their faces are not adorable. Nor are children on the edge of tantrum, for whatever silly reason.

But many of these posts are highly objectionable on grounds beyond one grouch’s tastes. They are words and images that could boomerang back on children when they become adults; or adolescents in high school. These images are out there forever and could be edited with mischievous captions.

Social scientists apply the word “sharenting” to the practice of displaying one’s children on social media. How would you feel if someone posted daily images of you without your input?

A British study found that nearly 1,500 images of the average child had gone online before age 5. “Baby pics drive clicks,” writes Anya Kamenetz, a National Public Radio education reporter. “Millennial moms are the holy grail,” a marketer told her.

One mother I do know tweeted an account of one daughter tormenting her other. No names were posted, but anyone who knew the family could easily figure out which child was acting cruelly. Someday that kid might be running for state attorney general and find reporters rummaging through those long-ago posts.

Images are especially problematic; even childish pictures of boys sticking their tongue out. As Kamenetz writes, an innocent video of a little girl doing cartwheels could be mined by pedophiles for a specific split-second view.

A growing literature says that these pictures, innocent ones included, can be an invasion of the child’s privacy. The child has no say on what becomes public for cyberspace eternity.

A mother on Twitter attached a photo of her teen daughter the day the girl’s school sent her home for inappropriate dress. Mom thought the girl looked fine, but one can imagine how many times that picture of an adolescent with big breasts in a tight top was passed around.

In their desperation for recognition (and advertising dollars?), some parents have actually subjected their children to online abuse. One couple’s YouTube channel centered on awful behavior within their family. In one video, the father urged their son to slap an 11-year old, making her cry. The channel had 750,000 subscribers. They rightly lost custody of two kids.

I, for one, am highly grateful that there wasn’t Facebook, Instagram or Twitter when I was in high school and college. I sometimes dressed in stupid ways, used obscenities I barely understood and held thoughts that needed a lot more baking. And like many other adolescents, I yearned for attention.

Spending all day with little children can be a lonely business. Making them the object of public scrutiny on social media is not the way to overcome the isolation of parenthood. If one wants to share images of their offspring with acquaintances, exchanging photo albums or emails with JPG attachments would seem the more dignified approach.

Except in cases of child pornography, there is nothing parents can do about others taking pictures of their children — say, in a park — and sharing them online. (Under Australian law, one only needs permission to photograph people on private property.)

The least parents can do is monitor their own judgment about what they share on social media. A bad outcome would be their children growing up to resent them for turning their youth into a public spectacle.

Follow Froma Harrop on Twitter @FromaHarrop. Email her at fharrop@gmail.com.

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THis is an editorial cartoon by Michael de Adder . Michael de Adder was born in Moncton, New Brunswick. He studied art at Mount Allison University where he received a Bachelor of Fine Arts in drawing and painting. He began his career working for The Coast, a Halifax-based alternative weekly, drawing a popular comic strip called Walterworld which lampooned the then-current mayor of Halifax, Walter Fitzgerald. This led to freelance jobs at The Chronicle-Herald and The Hill Times in Ottawa, Ontario.

 

After freelancing for a few years, de Adder landed his first full time cartooning job at the Halifax Daily News. After the Daily News folded in 2008, he became the full-time freelance cartoonist at New Brunswick Publishing. He was let go for political views expressed through his work including a cartoon depicting U.S. President Donald Trump’s border policies. He now freelances for the Halifax Chronicle Herald, the Toronto Star, Ottawa Hill Times and Counterpoint in the USA. He has over a million readers per day and is considered the most read cartoonist in Canada.

 

Michael de Adder has won numerous awards for his work, including seven Atlantic Journalism Awards plus a Gold Innovation Award for news animation in 2008. He won the Association of Editorial Cartoonists' 2002 Golden Spike Award for best editorial cartoon spiked by an editor and the Association of Canadian Cartoonists 2014 Townsend Award. The National Cartoonists Society for the Reuben Award has shortlisted him in the Editorial Cartooning category. He is a past president of the Association of Canadian Editorial Cartoonists and spent 10 years on the board of the Cartoonists Rights Network.
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