Haugen considers residents on issues

The political spots on television right now advising us of the imagined dangers that slot machines pose to our children are almost ridiculous in the whole scheme of things.

I have not done research into the effects that slot machines have on innocent children, who may catch a glimpse of an adult busily pushing money in, crossing fingers, completing strange rituals, and then cheering or booing at the outcome.

I am, however, aware of everyday activities that have been determined to truly be dangerous to children. One need look no further than the nearest toy store or electronics store to find computerized home video game equipment. These “game boxes” have come to be a standard fixture in more and more homes. Professionals have advised us of the imminent and long-term danger, and horrible influence, that these games pose (not all games, but certainly the most sought after ones). If every adult who felt obliged to provide one of these pieces of equipment for their family looked carefully at the games the children are playing on these, they may be tempted to seriously dispose of the whole mess.

If we are worried about what our children are seeing, look no further than the music videos that are running 24-7 on cable television. Listen to the words, watch the choreography (which I hate to call dancing, as it is more pornography to music) and then decide whether a slot machine is worth a second thought.

And as far as setting an example, which is the notion posed in the slot machine commercial, perhaps every smoking adult should consider snuffing out their butts for good – studies show that children of smoking parents will eventually smoke, “just like mom and dad.” Set an example.

Karen Knapp

Snohomish

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THis is an editorial cartoon by Michael de Adder . Michael de Adder was born in Moncton, New Brunswick. He studied art at Mount Allison University where he received a Bachelor of Fine Arts in drawing and painting. He began his career working for The Coast, a Halifax-based alternative weekly, drawing a popular comic strip called Walterworld which lampooned the then-current mayor of Halifax, Walter Fitzgerald. This led to freelance jobs at The Chronicle-Herald and The Hill Times in Ottawa, Ontario.

 

After freelancing for a few years, de Adder landed his first full time cartooning job at the Halifax Daily News. After the Daily News folded in 2008, he became the full-time freelance cartoonist at New Brunswick Publishing. He was let go for political views expressed through his work including a cartoon depicting U.S. President Donald Trump’s border policies. He now freelances for the Halifax Chronicle Herald, the Toronto Star, Ottawa Hill Times and Counterpoint in the USA. He has over a million readers per day and is considered the most read cartoonist in Canada.

 

Michael de Adder has won numerous awards for his work, including seven Atlantic Journalism Awards plus a Gold Innovation Award for news animation in 2008. He won the Association of Editorial Cartoonists' 2002 Golden Spike Award for best editorial cartoon spiked by an editor and the Association of Canadian Cartoonists 2014 Townsend Award. The National Cartoonists Society for the Reuben Award has shortlisted him in the Editorial Cartooning category. He is a past president of the Association of Canadian Editorial Cartoonists and spent 10 years on the board of the Cartoonists Rights Network.
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