Scams abound after storm

Long before Hurricane Sandy slammed into the Northeast with devastating winds and drenching rain, opportunistic con-artists were busy setting snares to trap unsuspecting victims. Because the National Weather Service recycles hurricane names every six years, the related domain names for future hurricanes including next year’s storms (which will begin with Andrea and end with Wendy) have already been claimed. While no one can predict when a storm might pack the life-altering intensity of an Andrew, Katrina or Sandy, their corresponding online domains stand ready to be activated at a moment’s notice to begin collecting money for possible relief efforts.

Sadly, there’s no way to know if the registered domains represent a legitimate or a non-existent charity. Over 1,100 Internet addresses related to Hurricane Sandy have already been registered using the terms “relief, hurricane, storm and aid.”

Unfortunately, there’s more than a fair chance that some of the money donated through these sites will go straight into the pocket of a con-artist or scammer. These folks have no intention of sharing the money they’re collecting with storm victims and may actually be using this ruse to gather bank or credit card information for future use or identity theft.

•The folks at the Better Business Bureau have established a Wise Giving Alliance to help track legitimate charities. They offer the following recommendations to folks interested in financially supporting relief efforts:

First, they advise donors to be skeptical.

Never give out personal information such as credit card or bank account numbers to anyone soliciting money over the phone. Hang up if you feel pressured or if you’re offered a gift in exchange for your donation.

Never send cash through the mail or hand it over to anyone at your door or collecting near a store or on a street corner.

Be wary of unsolicited spam messages from online charities as well as social media links that claim to be relief organizations. It’s best to engage directly with a familiar charity or organization with an established track record and trusted reputation.

Finally, do your homework and verify that the money you’re sending is actually going to the region you’re trying to help.

Sadly, there is more than one victim when a con-artist steals from a legitimate charity. Kind-hearted individuals who are trying to help may end up victims themselves as those in desperate shape continue to suffer.

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THis is an editorial cartoon by Michael de Adder . Michael de Adder was born in Moncton, New Brunswick. He studied art at Mount Allison University where he received a Bachelor of Fine Arts in drawing and painting. He began his career working for The Coast, a Halifax-based alternative weekly, drawing a popular comic strip called Walterworld which lampooned the then-current mayor of Halifax, Walter Fitzgerald. This led to freelance jobs at The Chronicle-Herald and The Hill Times in Ottawa, Ontario.

 

After freelancing for a few years, de Adder landed his first full time cartooning job at the Halifax Daily News. After the Daily News folded in 2008, he became the full-time freelance cartoonist at New Brunswick Publishing. He was let go for political views expressed through his work including a cartoon depicting U.S. President Donald Trump’s border policies. He now freelances for the Halifax Chronicle Herald, the Toronto Star, Ottawa Hill Times and Counterpoint in the USA. He has over a million readers per day and is considered the most read cartoonist in Canada.

 

Michael de Adder has won numerous awards for his work, including seven Atlantic Journalism Awards plus a Gold Innovation Award for news animation in 2008. He won the Association of Editorial Cartoonists' 2002 Golden Spike Award for best editorial cartoon spiked by an editor and the Association of Canadian Cartoonists 2014 Townsend Award. The National Cartoonists Society for the Reuben Award has shortlisted him in the Editorial Cartooning category. He is a past president of the Association of Canadian Editorial Cartoonists and spent 10 years on the board of the Cartoonists Rights Network.
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