By Jesse / Everett Public Library staff
Sometimes everything comes together perfectly. When I first heard about “Children of Blood and Bone” by Tomi Adeyemi, it was still several months from release. The description checked a lot of boxes for me and I was excited to eventually read it, but I wasn’t desperately waiting for its release. Then I saw the cover. And, I mean, look at that cover! I was definitely in. Once I saw “Black Panther” and — like everyone else — was blown away, I reached a new level of excitement for Adeyemi’s work. A new series about magic, oppression, bigotry and class set in an isolated West African country? Um yes, please. Add in a complex and rich backbone of mythology and I never stood a chance. So when I finally had this book in my hand I was elated, but also wary. Could it possibly live up to the hype? You’ll have to keep reading to find out, but I’m writing about it so you can probably guess …
“Children of Blood and Bone” is set in the fictional kingdom of Orisha. Power in Orisha was once shared between normal humans and Magi, a subset of society gifted by the gods with powerful supernatural abilities. Years before the novel opens, however, these powers mysteriously disappeared and the ruthless king took advantage of the situation, slaughtering the Magi. The scattered and abandoned children of the Magi are known as Diviners and are conspicuously marked by their white hair, but they are unable to summon any powers. Diviners are treated as the lowest caste — at best derided, at worst abused and used as slave labor.
Zélie is one of these Diviners. Forced to watch the murder of her Magi mother when she was just a child, she is angry at the empire, determined to strike back and more than a little bit rash. Despite being something of a pariah, Zélie, along with her father and her brother, manages to eke out a modest life trading fish and training for the day when she will have a chance to take her revenge on the king and his followers.
Zélie’s impulsivity, however, throws her life into chaos when she rescues Amari, a princess from the royal line who is on the run from her terrible father. The decision to help Amari sends Zélie and her brother on a perilous journey, unsure of whom they can trust and what terrible dangers might await them. But Zélie is also running toward something — Amari claims she has a scroll that can restore Magi magic. Zélie hopes that this would give her people half a chance to fight back, restore their dignity and maybe even begin to restore balance to Orishan society. Yet to reach this future, Zélie and her companions must first evade Prince Iman, Amari’s brother and heir to the Orishan throne. For his part, Iman is determined to capture his sister and Zélie, not just to end the threat of magic but also to finally prove himself to his cruel and demanding father. Beyond the obvious lethal danger the prince poses, Zélie and Iman quickly discover they have a strange and unbreakable connection, one that threatens both of their worlds in opposing but equally devastating ways.
There are a lot of glowing adjectives I could use to describe “Children of Blood and Bone,” but the one that repeatedly comes to mind is refreshing. I’ve read a lot of wonderful Y.A. novels that move in the worlds of dystopia, fantasy, history and mythology, but the vast majority are based on Western or European traditions. Having this wonderfully rich, exciting series build on African traditions and get the support it deserves from the publishing industry is as welcome as it is long overdue. In Zélie, Amari, and Iman, Adeyemi has created three compelling and complicated narrators who are both eminently likable and, at times, incredibly frustrating. I’ve read some criticism that “Children of Blood and Bone” reads like an author’s first novel (probably because it is) and drags at times. I understand where this criticism comes from, but it’s also quite simply a thrilling read with a captivating ending that leaves plenty of juicy questions for the rest of the series to tackle.
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